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Viral Videos in the Redwoods

Last weekend, I hosted a viral video night with meme master Jamie Wilkinson at the Henry Miller Memorial Library in Big Sur. I’ve long wanted to do an event at this magical, redwood enclosed, roadside oasis. The Library is a destination I’ve often visited since moving to the west coast 13 years ago. In recent years, their small outdoor stage has been host to some high profile performers, including Neil Young, Animal Collective, The xx, Laurie Anderson, Henry Rollins & Jello Biafra to name a few. I felt it quite an honor when Magnus Toren, long time friend and director of the Library, invited me to put together an “Internet video night.”

Over the course of 3 hours, Jamie and I took the audience on a show and tell tour of some popular Internet videos that have become memes. I presented first and focused on 4 videos which each have spawned a whole slew of remixes, mashups, animations, reinterpretations and songs. Jamie then presented a series of videos of kids doing embarrassing things on the Internet followed by what happens when kids feed the trolls. The evening was well received and I know we’ll do more of these in the future. Here’s the 4 original videos I focused on with links to each of the remix/mashup/song videos that I followed with.

Double Rainbow Guy

01 Oh My God! song
02 Auto-Tune song
03 2001: A Space Odyssey remix
04 Ft. Boyard remix
05 Taco Bell/KFC inspired
06 Hungry Bear’s Cagefight
07 Hungry Bear’s Wild Turkeys

Insane Clown Posse – Miracles

01 Saturday Night Live parody
02 Juggalo News
03 Magnetism Explained
04 Glad Plugin mashup
05 Fuckin’ magnets, fuckin’ rainbows

Epic Beard Man

01 Critical commentary
02 Animated reinterpretation
03 Epic Beard Man in Mortal Kombat
04 Epic Beard Man’s Punchout for Nintendo
05 Epic Beard Man Tased at A’s Game

Amber Lamps

01 Hey There, Amber Lamps
02 Amber Lamps Song Tribute
03 Animated, Techno Amber Lamps
04 Black Betty, Amber Lamps

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Ustream update – 2 months in

In the 2 months that I’ve been working at Ustream, a lot has happened and I’ve been lucky enough to travel to some exotic locations. Part of what I do is to support Ustream’s paying customers and partners with production resources for their live broadcasts. Typically, this is someone or someones who can setup and operate cameras, switchers, audio gear and streaming computers. Some times, this is me, such as with the Le Web conference in Paris this past December.

Ustream command central

Often times, and will be more so, it’s finding reliable and available people around the world to work with to do this. We are doing more complex multi-camera switched broadcast productions, which sometimes involves working with local production companies in the cities we find ourselves in. I’m building out a global network of trusted streaming resources we can hire when events come up. People resources and equipment resources. If this something you do, you should get in touch with me.

Another thing we’re doing is streaming events with a completely portable, self contained “satellite truck in a box.” This is essentially a completely mobile backpack PC with 6 cell phone modems load balanced across 3 mobile network carriers and chock full of batteries. It can push a 1Mb out, making it ideal for roaming events or places without an Internet connection. I went to Vegas recently with one of these to broadcast a nightclub opening with Diddy. Will.i.am also uses one that he likes to use to crash LA parties with sometimes, as does Ashton Kutcher.

West coast is the best

Another fun highlight, Snoop Dogg stopped in to our recent company meeting to tell us what he likes about Ustream (direct interaction with fans) and what he wants out of it (more kinds of interactivity with fans). Snoop’s got his Wake n Bake show on Ustream where he smokes endless blunts while DJing music and interacting with his fans. Snoop told us he got into Ustream by learning from Soulja Boy, watching how he built his success using the Internet.

He also had our mobile Broadcaster app installed on his Android phone, which he was very stoked about. Snoop loves the tech, understands how it helps him do what he does better while making him more accessible to his fans. Very genuine player, in it for the love all the way.

Now, I’m in Tokyo. I’m streaming some events, one being a concert by the Japanese goth anime pop duo sensation Hangry & Angry.

Oh, also the Shiba Inu puppies are back!

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A new frontier: Ustream

Ustream

Big changes in the eddie.com world. After freelancing as a videographer, producer & consultant for the last few years, I’ve settled down as the Head of Production Services for a little outfit called Ustream. Maybe you’ve heard of them. They’re one of the big players in the live video streaming space (what was once called webcasting back in 1.0 days). Rappers love ’em. So do tech conferences. I just finished up streaming the LeWeb conference in Paris, my first trip as an employee. I’ve worked with Ustream a bunch over the past year in a consulting capacity, which has been a lot of fun.

Ustream command central

So what does a Head of Production Services do? I’m still trying to figure that out. What I do know is that it’ll involve servicing the many requests we get for help from our customers. Ustream is super easy to use and free for anyone, though many people need or want a bit of extra help. Production Services will be that. You’ll be able to hire Ustream “certified” professionals to come out and make sure your event goes off without a hitch. You’ll hear more about that over the coming months as we get things figured out.

For me, this seems like a natural progression of things I’ve been doing over the past 10 years. Back in the early 2000’s, I worked for a small startup called Fast Forward Networks that had created an innovative platform for scaling live broadcasts across the Internet. Think multicast at the application layer. It worked pretty well and we had some early successes selling to CDNs, broadcasting the Super Bowl and a Madonna concert. That startup was acquired by Inktomi right before the dot-com crash. This meant a 1000+ person company was soon reduced to less than 100 and firesaled off to Yahoo! in 2003.

On the cusp of 2010, live Internet broadcasting is doing damn fine. It’s become disruptive and the major old-school TV broadcasters have a lot to fear. Some of the fundamental technologies have changed, such as Flash video being the ubiquitous way of viewing Internet video. Back in 1.0 days it was all about RealNetworks, Quicktime and Windows Media. Codec and platform compatibility problems were the norm and end-user bandwidth simply wasn’t there to provide the YouTube & Hulu like experience we have today. We’ve come a long way in 10 years and I have no doubt the next 10 years will be exponentially more interesting. I predict by 2020 all TV media consumption will be Internet based, cable will be dead, DVDs will be a relic and satellite will just be another avenue for delivering Internet. From where I’m sitting, that looks pretty good.

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Me and Christopher Coppola, sitting on a panel, M-O-N-D-A-Y

I was invited by the fine folks over at Social Media Club to participate on a panel about mobile video creation this Monday night in San Francisco. I guess my experience as an “assistant director” on the collaborative Spike Lee movie that Nokia Productions organized is what peeps want to hear about. Also on that panel will be Christopher Coppola, nephew to Francis, brother to Nicolas Cage, and also a director in his own right. He’s got a pretty cool thing called Project Accessible Hollywood that he’ll be talking about. Should be a fun night. If you’re in SF, stop by. Tickets are still available.

Here’s the official blurbage:

This month Social Media Club San Francisco / Silicon Valley chapter digs deep on the subject of mobile video. How it’s created, strategically deployed and consumed. The program will be divided into two separate, but related discussions:

Part one, moderated by Chris Heuer, will feature representatives from Qik, Justin.tv and our sponsor Real Player SP leading a discussion on how mobile video is really being used. Working to go beyond the hype, the panel will be turned, with the panelists asking questions of the audience and of each other. Getting beyond the hype to what’s really happening and what we really wish was happening. Together we could help shape our own future, collectively discovering new possibilities and exchanging stories of how people are really using mobile video.

After a 15 minute break, Jennifer Lindsay will facilitate a panel of creative video all-stars discussing how they are approaching the changing digital video landscape in an always on, always connected world.

During the second half, our discussion will focus on hearing some stories from the front lines of digital video. Eddie Codel is a pioneering vlogger and producer for Geek Entertainment TV. Eddie was one of five (5) people chosen from around the world to work on an innovative film project with Spike Lee entirely shot on mobile phone video cameras. We will hear what it was like to be a part of such a ground breaking project and what lessons he learned that we can all apply when thinking about our next mobile video shoot. We will also be joined by Christopher Coppola, a seasoned film and television director who is also founder and chairman of Project Accessible Hollywood (PAH), a non-profit organization that brings digital empowerment to underserved communities and individuals worldwide. Christopher will discuss PAH Fest, mobile phone films and Cellunovellas and the Latin American market.

Audience members will also be encouraged to share experiences and use cases.

Please note tickets are $10 in advance, or $20 at the door. Tickets are non-refundable, but may be transferred to another guest to attend this event.

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The Atomic Level of Porn

At monochrom‘s Arse Elektronika conference last week in San Francisco, computer historian and agitator of Internet trolls everywhere, Jason Scott gave a brilliant in-depth look back on the early days of computer rendered pornography. From early line printers generating monochromatic pinups with X’s to blocky pixelated 80’s video games with box covers much more alluring than the game play, Jason runs the gamut. Here’s the video I shot of it with Jason’s slides inserted.

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Speaking on panel at Siggraph: DIY Media & Distribution

Siggraph 2009
I’m heading to New Orleans in the morning to attend Siggraph 2009, the “36th international conference and exhibition on computer graphics and interactive techniques.” Long time pal Spot Draves, the super genius computer generative artist behind Electric Sheep, asked me join him on a panel he’s moderating titled DIY Media & Distribution. Pioneering musician Todd Rundgren was originally slated for the panel, but had to cancel due to a scheduling conflict. Here’s the full description:

DIY Media & Distribution

Thursday, 6 August | 10:30 AM – 12:15 PM | Room 243-245

A discussion of how low-cost or open-source development and distribution tools are affecting creative production. It features creative pioneers and programmers who have irretrievably altered musical composition, computer graphics, the future of journalism, and the definition of art. Like every advancement since the stone age, their work enlists the help of machines to improve upon what humans once made by themselves – fundamentally modern but also timeless.

The panelists explore people-oriented ideals, like creating design programs that are free for everyone to use and build upon, television programming that allows amateurs to acquire air time, one-person symphonies, and artwork to which non-artists contribute small drawings. They also discuss the users, who help the internet live up to its potential by taking part in the myriad opportunities to show off their creativity in ways never before possible.

Do we live in a brief renaissance period where the gates are down and all bets are off, little realizing that the window will soon close and economic, corporate, or government forces will restrict the world’s media again? Or do our times mark the beginning of a permanent openness, where you don’t have to be established to have a voice, and where large-scale collaboration happens without financial incentives.

Moderator
Scott Draves
Google Inc.
ElectricSheep.org

Panelists
Todd Rundgren cancelled
Musician and composer

Eddie Codel
Geek Entertainment TV

Aaron Koblin
Google Creative Lab

Tiffiniy Cheng
Participatory Culture Foundation

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Google Voice transcribes the FedEx guy

I have my front door callbox forward to a Google Voice virtual phone number. It creates transcripts of voicemail messages people leave. You might never guess this is from the FedEx guy.

hi good morning this is robin right now i’m part of the for calling me matt andy for darryl i gave him a call there it looks like it tomorrow thank you bye bye bye baby bye

Want to give it a try? Just click below, punch in your number and Google Voice will call you and make a connection to my voicemail inbox after 5 rings. Go ahead, give it a shot. I’ll post the most ridiculous translations.

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Littlefield Tank Tour + Oilpunk Boiler Bar on BBV

Two more fun videos I had the pleasure of shooting for Boing Boing Video went up recently. First is a tour of the amazing Littlefield tank museum. From BB:

In today’s edition of Boing Boing Video, guest-host Todd Lappin explores a massive collection of historical military vehicles tanks collected by an eccentric Silicon Valley multimillionaire. The recently-departed Jacques Littlefield amassed one of the world’s largest and most significant collections of this type, and his collection is now overseen by the nonprofit Military Vehicle Technology Foundation.

The second video is of Jon Sarriugarte’s sexy burlesque and oil and fire fueled Boiler Bar event. Includes a great interview and demonstration from old school blacksmith Shawn Lovell. The video really has it all: sexy burlesque dancers, fire, steam powered car, blacksmithing w/lots of fire, snail car w/fire and fireworks w/more fire.

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Elektrischer Reporter

I’ve had a bunch of fun watching what the producers of German hyper new media & TV show Elektrischer Reporter have done with the footage I’ve shot for them. It’s all in German so I can only guess as to commentary with their copious English references to Twitter, Creative Commons and backgrounds of retro animated mainframes w/reel-to-reels. Lots of fun clips sourced from the Internet Archive help visually create a nice retro future tech mood. My german speaking friends say it’s really well put together and informative in kind of a hip NPR kind of way.

In this segment on nerd culture, you can see Doctor Popular laying on the nerd thickly with his classic yo-yo moves and some speak-n-spell jamming, all while dubbed in German. Yes, that is the Hat Factory where I shot these frames of Doc.

Elektrischer Reporter – Nerds: Weltretter mit Hornbrillen?

I shot an interview with Pandora founder Tim Westergren for this segment:

Elektrischer Reporter – Vorschlagsysteme: Mit den besten Empfehlungen

For this one, I was hired to shoot an interview with EFF‘s Danny O’Brien at their San Francisco offices:

Elektrischer Reporter – Urheber 2.0: Jeder Nutzer ein Pirat?

I’m guessing this segment is about mobile communities, since those words are in English and there’s plenty of shots of mobile devices, location based services and maps. I shot the interview with Tony Jebara of Citysense at Etech in San Jose.

Elektrischer Reporter – Mobile Communities: Unterwegs und unter Freunden